Discrimination is not a pleasant accusation to level at anyone. In particular, conservatives have a tough time stomaching such allegations -- we tend to think that for the most part, people treat each other rationally. After all, that assumption is the foundation of laissez-faire economics, which states that the market will ruthlessly weed out all those who practice non-rationality-based decision-making.
Sometimes, however, discrimination is very real. And in today's America, Hollywood is its epicenter.
There's a reason the product produced by the television industry is overwhelmingly biased to the left: Hollywood generally won't let anybody to the right get a job.
As I show in my new book, "Primetime Propaganda: The True Hollywood Story of How The Left Took Over Your TV," Tinseltown is populated almost entirely by liberals who are motivated to use your television to propagandize on behalf of their favorite political causes. No matter what you watch -- "Sesame Street" or "Glee," "Sex and the City" or "Friends" -- television's creators are using your entertainment choices to proselytize you.
If conservatives get in the way -- and they always do -- the left simply cuts them out of the loop.
Just last week, Patricia Heaton, star of "The Middle" and "Everybody Loves Raymond," announced that she knows "for a fact there are some people who have said they wouldn't want to work with [me] because of [my] politics." Heaton told me the same thing a few months back when I interviewed her for "Primetime Propaganda" -- only at the time, she asked me to remove her from the book because she was afraid of losing work.
Kelsey Grammer of "Cheers" and "Frasier" agrees that discrimination is a habit in liberal Hollywood. So do Dwight Schultz ("The A-Team"), Gary Graham ("Star Trek: Enterprise"), Evan Sayet (formerly a writer for Bill Maher), Andrew Klavan (author of "True Crime"), Lionel Chetwynd ("The Hanoi Hilton"), Michael Moriarty ("Law & Order"), and dozens of others with whom I spoke.
What's more, Hollywood's top non-conservative names admitted to me that such discrimination takes place on a regular basis. The producer of "Chicago Hope" and "Picket Fences," Michael Nankin, justified discrimination by stating that "scripted television is very liberal ... that's the personality that you need to succeed in that business."
Allan Burns, co-creator of "The Mary Tyler Moore Show," talked down to conservatives, explaining that artists are "the intellectual community, that's why [they're liberal]." David Shore, creator of "House," admitted that Hollywood was overwhelmingly leftist, and that discrimination happened on a regular basis: "I think people look at [conservatives] somewhat aghast, and I'm sure it doesn't help them," he said.
Top executives admitted it. Top producers admitted it. Top writers admitted it. Some even celebrated it.
Vin Di Bona, producer of "MacGyver" and "America's Funniest Home Videos," told me that the widespread perception of anti-conservative bias in Hollywood was "probably accurate and I'm happy about it, actually. ... If the accusation is there, I'm OK with it." Nicholas Meyer, director of "The Day After," as well as "Star Trek II" and "Star Trek VI," said he hoped conservatives were discriminated against.
The impact in the industry is breathtaking. Conservatives in Hollywood meet in the shadows, afraid to step into the sunlight for fear of being recognized and blacklisted. Liberals feel free to force their politics down the throats of moderate and conservative Americans. Discrimination against some has consequences for all, and discrimination against conservatives in Hollywood is no exception.
Over the coming days and weeks, we're going to be releasing audio of top Hollywood figures admitting to their industry's discriminatory practices. We're going to be releasing tape of them owning up to using their entertainment for propaganda. We are going to force them to recognize that their willingness to discriminate is a symptom of a deeper ill: Their willingness to fight a culture war against non-liberal Americans on a daily basis and to turn our favorite evening activity into "Primetime Propaganda."